6/23/2023 0 Comments Chucky you are my buddi songThere is an intriguing idea nestled within the film: How does our relationship to technology harm us? Early moments in the movie reveal that Andy is an exceedingly lonely child in a new city. In 2019, AI Chucky can connect to all Kaslan devices - drones, automated cars, the thermostat, televisions, and much more - making his abilities grand and ill-defined. Chucky no longer has to rely on the wit of a human or a simple blade to off his targets. Of course, it goes on to become the murderously devoted smart toy at the heart of the film. Here, a disgruntled and abused worker in a Vietnamese factory owned by Kaslan - the Amazon-esque juggernaut that makes the Buddi dolls - decides, as a form of retribution, to turn off the safety protocols on a particular Buddi. This year’s Child’s Play does away with that storyline, though, creating a framing device with some knotted connotations. ( Bride of Chucky rode the Scream zeitgeist well.) The Chucky stories are, after all, about a pint-size doll possessed by the spirit of a Chicago-area serial killer. As writer Scott Tobias pointed out to me at a recent screening, the franchise has effectively shifted from slasher flicks to referential campy romps, always reflecting the moment of horror surrounding it. They’re funny, with an odd sense of self-awareness. I must admit I have a fondness for the original Chucky films, including straight-to-video works like the cruel Cult of Chucky. In taking the franchise away from creator Don Mancini - as well as actor Brad Dourif, who brought menace and humor to the role of Charles Lee Ray - the Child’s Play reboot loses the impish spark that made it so strangely delightful. A table saw to the groin is comeuppance for one particularly lecherous handyman. Instead, we’re left to be amused by the predictably placed (albeit intermittently creative) kills that litter the tale. Suspense is nowhere to be found in this screenplay. Brian Tyree Henry plays the cop swept up in it all his mother lives in the same apartment building as the Barclays, where the murders keep piling up.Įven as Chucky’s inexplicable death plot roiled on, I couldn’t help but be charmed by the cast’s spunky line readings - like early on, when Plaza, with mock insouciance, jokes about being a juvenile mother: “I had a very productive sweet sixteen.” But Tyler Burton Smith’s script hardly challenges either of the adult actors, both of whom have proven to be magnetic performers adept at comedy and drama. Due to a settings glitch, Chucky’s contemporary incarnation (voiced by a cutesy-creepy Mark Hamill, who has done better voice work elsewhere) eventually goes the way of his predecessor, wreaking widespread havoc - just with a lot less panache. In 2019, Aubrey Plaza plays Karen Barclay, the young mom to Andy (13-year-old Gabriel Bateman of Annabelle and Lights Out fame), who by chance receives an AI-equipped Buddi doll after the defective toy is returned to his mother’s store. Unfortunately, Child’s Play is undone by a lack of tension even its best performances can’t conjure, and a familiar story that only skips lightly along the surface of gnarly ideas. Garish Christmas lights and drones equipped with razors - both of which feature in the film as fantastic weaponry - are amusing, but they’re only as effective as the limp horror story around it. This is a CD release.Child’s Play, the new slasher reboot of the Chucky franchise, directed by Lars Klevberg, half works. Also making a guest appearance on two tracks is actor and voice of Chucky, Mark Hamill, joining Bear McCreary in the studio to provide a chilling addition to the score. Much of McCreary's inspiration for the score came from Chucky’s toy-store origins, prompting the composer to assemble a “toy orchestra” that features prominently in the soundtrack. The album features music from the highly anticipated reimagining of the 1988 slasher film, from Orion Pictures. Sparks & Shadows announces the release of the CHILD’S PLAY (ORIGINAL MOTION PICTURE SOUNDTRACK) on CD,featuring music by award-winning composer BEAR MCCREARY ( Battlestar Galactica, The Walking Dead, and Godzilla: King of the Monsters). They are available to order from starting June 25, 12pm (PST). Once they are sold out, they are gone for good. La-La Land Records has been allotted 360 autographed units of this title.
0 Comments
Leave a Reply. |